Oil On Canvas, Real Flavor of Old Masters

All Dante Gabriel Rossetti 's Paintings
The Painting Names Are Sorted From A to Z

Prev   1   2
ID Image  Painting (From A to Z)       Details 
3605  
The Beloved, Dante Gabriel Rossetti
  		 The Beloved   1865-66 32 1/2 x 30 in Tate Gallery, London
3618  
The Blessed Damozel, Dante Gabriel Rossetti
  		 The Blessed Damozel   1875-78 68 1/2 x 37 in (174 x 94 cm) Fogg Art Museum, Cambridge, Massachusetts
24449  
The Blessed Damozel (mk28), Dante Gabriel Rossetti
  		 The Blessed Damozel (mk28)   1876-8 Oil on canvas 174 x 94 cm Fogg Museum of Art,Harvard University,Cambridge,MA
24435  
The Blue Bower (mk28), Dante Gabriel Rossetti
  		 The Blue Bower (mk28)   1865 Oil on canvas 90 x 69 cm Barber Institute of Fine Arts University of Birmingham
24416  
The Blue Closet (mk28), Dante Gabriel Rossetti
  		 The Blue Closet (mk28)   1857 Watercolour on paper 34.3 x 24.8 cm Tate Gallery London
24447  
The Boat of Love (mk28), Dante Gabriel Rossetti
  		 The Boat of Love (mk28)   1874-81 Oil on canvas 124.5 x 94 cm Birmingham Museum and Art Gallery
3593  
The Bower Meadow, Dante Gabriel Rossetti
  		 The Bower Meadow   1872 33 1/2 x 26 1/2 in Manchester City Art Galleries, England
24445  
The Bower Meadow (mk28), Dante Gabriel Rossetti
  		 The Bower Meadow (mk28)   1872 Oil on canvas 85 x 67 cm City Art Galleries Manchester
34012  
The Bride, Dante Gabriel Rossetti
  		 The Bride   mk87 1865 Oil on canvas 80x76cm London,Tate Gallery
21550  
The Bride (mk09), Dante Gabriel Rossetti
  		 The Bride (mk09)   1865 Oil on canvas,80 x 76 cm London,Tate Gallery
24404  
The Bride (mk28), Dante Gabriel Rossetti
  		 The Bride (mk28)   1865 Oil on canvas 80 x 76 cm London Tate Gallery
3576  
The Day Dream, Dante Gabriel Rossetti
  		 The Day Dream   1880 62 1/2 x 36 1/2 in (157.5 x 92.7 cm) The Victoria and Albert Museum, London
24452  
The Day Dream (mk28), Dante Gabriel Rossetti
  		 The Day Dream (mk28)   1880 Oil on canvas 159 x 93 cm Victoria and Albert Museum,London
23469  
The Day-dream (nn03), Dante Gabriel Rossetti
  		 The Day-dream (nn03)   1880 Oil on canvas 159 x 93 cm 62 1/2 x 36 1/2 in Victoria and Albert Museum London
3610  
The First Anniversary of the Death of Beatrice, Dante Gabriel Rossetti
  		 The First Anniversary of the Death of Beatrice   1853-54 Ashmolean Museum, Oxford
24411  
The First Anniversary of the Death of Beatrice: Dante Drawing the Angel (mk28), Dante Gabriel Rossetti
  		 The First Anniversary of the Death of Beatrice: Dante Drawing the Angel (mk28)   1853 Watercolour on paper 42 x 61 cm Ashmolean Museum,Oxford
28017  
The Gate Memory, Dante Gabriel Rossetti
  		 The Gate Memory   1857-64 Coloured chalks on paper 33.6 x 26.6 cm (13 1/4 x 10 1/2 in) Private collection (mk63)
3612  
The Girlhood of Mary Virgin, Dante Gabriel Rossetti
  		 The Girlhood of Mary Virgin   1848-49 Tate Gallery, London
28233  
The Girlhood of Mary Virgin, Dante Gabriel Rossetti
  		 The Girlhood of Mary Virgin   1845-9 Oil on canvas 81.2 x 65.4 cm (32 3/4 x 25 3/4 in) Tate Gallery London (mk63)
53417  
The Girlhood of Mary Virgin, Dante Gabriel Rossetti
  		 The Girlhood of Mary Virgin   mk231 1848 Oil on canvas 83.2x65.4cm
91992  
The Girlhood of Mary Virgin, Dante Gabriel Rossetti
  		 The Girlhood of Mary Virgin   1849(1849) Medium oil on canvas Dimensions Deutsch: 83 X 65,5 cm cyf
24408  
The Girlhood of Mary Virgin (mk28), Dante Gabriel Rossetti
  		 The Girlhood of Mary Virgin (mk28)   1849 Oil on canvas 83 x 65 cm Tate Gallery London
42057  
The infancy of Maria, Dante Gabriel Rossetti
  		 The infancy of Maria   mk166 1849 I Wave on cloth Galeria Tate, London
85657  
The Loving Cup, Dante Gabriel Rossetti
  		 The Loving Cup   Date 1867(1867) Medium Oil on canvas Dimensions 66 x 45.7 cm (26 x 18 in) cjr
3600  
The Meeting of Dante and Beatrice in Paradise, Dante Gabriel Rossetti
  		 The Meeting of Dante and Beatrice in Paradise   1853-54
3603  
The Salutation of Beatrice, Dante Gabriel Rossetti
  		 The Salutation of Beatrice   1859 Oil on two panels Each 29 1/2 x 31 1/2 in (74.9 x 80 cm) National Gallery of Canada, Ottawa
3607  
The Seed of David, Dante Gabriel Rossetti
  		 The Seed of David   1858-64 Llandaff Cathedral, Wales
53438  
The Seed of David, Dante Gabriel Rossetti
  		 The Seed of David   mk231 90x60 Oil on canvas
24421  
The Seed of David (mk28), Dante Gabriel Rossetti
  		 The Seed of David (mk28)   1858-64 Oil on canvas centre panel of triptych 228.5 x 152 cm Wings 185 x 62 cm Llandaff Cathedral Cardiff
24427  
The Sermon on the Mount (mk28), Dante Gabriel Rossetti
  		 The Sermon on the Mount (mk28)   1862 Stained glass South nave window All Saints Selsley Gloucestershire
3597  
The Tune of Seven Towers, Dante Gabriel Rossetti
  		 The Tune of Seven Towers   1857
24418  
The Tune of Seven Towers (mk28), Dante Gabriel Rossetti
  		 The Tune of Seven Towers (mk28)   1857 Watercolour on paper 31.4 x 36.5 cm Tate Gallery London
3608  
The Wedding of Saint George and Princess Sabra, Dante Gabriel Rossetti
  		 The Wedding of Saint George and Princess Sabra   1857 Watercolor on paper 14 3/8 x 14 3/8 in Tate Gallery, London
24417  
The Weding of St George and the Princess Sabra (mk28), Dante Gabriel Rossetti
  		 The Weding of St George and the Princess Sabra (mk28)   1857 Watercolour on paper 36.5 x 36.5 cm Tate Gallery London
3614  
Venus Verticordia, Dante Gabriel Rossetti
  		 Venus Verticordia   1864-68 38 5/8 x 27 1/2 in Russell Cotes Art Gallery, Bournemouth
51802  
Venus Verticordia, Dante Gabriel Rossetti
  		 Venus Verticordia   mk221 1867 Pastel on paper 77x59cm USA 1828-1882
24433  
Venus Verticordia (mk28), Dante Gabriel Rossetti
  		 Venus Verticordia (mk28)   1864-8 Oil on canvas 98 x 70 cm Russell Cotes Art Gallery and Museum Bournemouth
28306  
Venus Vertisordia, Dante Gabriel Rossetti
  		 Venus Vertisordia   1864-8 Oil on canvas 98 x 69.9 cm (38 5/8 x 27 1/2 in) Russel Cotes Art Gallery and Museum Bournemouth (mk63)
3585  
Veronica Veronese, Dante Gabriel Rossetti
  		 Veronica Veronese   1872 43 x 35 in Delaware Art Museum, Wilmington
24443  
Water Willow (mk28), Dante Gabriel Rossetti
  		 Water Willow (mk28)   1871 Oil on canvas 33 x 26.7 cm Samuel and Mary R Bancroft Memorial,Delaware Art Museum,Wilmingron,DE
10241  
Waterfall in a Mountainous, Dante Gabriel Rossetti
  		 Waterfall in a Mountainous   Northern Landscape 1665Oil on canvas Fogg Art Museum Cambridge
24422  
Writing on the Sand (mk28), Dante Gabriel Rossetti
  		 Writing on the Sand (mk28)   1859 Watercolour on paper 26.5 x 24 cm British Museum, London
25992  
Writing on the Sand (mk46), Dante Gabriel Rossetti
  		 Writing on the Sand (mk46)  
Prev   1   2
Dante Gabriel Rossetti
English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.



USA Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors